From dcrb-l@lib.byu.edu Mon Jan 6 17:07:20 2003 From: dcrb-l@lib.byu.edu (Jane Gillis) Date: Mon, 06 Jan 2003 12:07:20 -0500 Subject: [DCRB-L] WG3 Message-ID: <5.1.0.14.2.20030106110258.00abdfb0@jgillis.mail.yale.edu> --=====================_7702765==_.ALT Content-Type: text/plain; charset="iso-8859-1"; format=flowed Content-Transfer-Encoding: quoted-printable Manon has done a superb job in her position paper on Machine Press=20 Cataloging. I do have a few comments/questions. There is one problem--I=20 cannot copy and paste text from the Adobe Acrobat document. 1. On p. 2, half way through: whether or not the current instruction to treat printers and publishers as= =20 interchangeable in the imprint area is to be observed for bothearly and=20 modern materials ... The following is from ISBD(A). Do we want to consider this? In many ways= =20 it does make sense. I think this would have to be done for all=20 publications and not just after a certain date. 4.5 Place of printing & 4.6 Name of printer 4.5.1 The place of printing and the name of the printer are given following= =20 the date, & 4.6.1 when they appear in the publication, but not in the first= =20 preferred prescribed source of information for the place of publication,=20 etc., or name of publisher, etc., elements, or when they do not appear in=20 the publication and are known and considered important by the bibliographic= =20 agency. 4.5.2 The place(s) of printing and the name(s) of printer(s) are given in=20 the same way & 4.6.2 as the principal place(s) of publication, etc., and=20 name of publisher, etc. e.g. A Paris : chez Nyon l'a=EEn=E9, 1781 ([Paris] : de l'imprimerie de la veuve= =20 Thiboust) Note: Printer named in colophon Francofurti : prostat apud Ionam Rosarn, 1616 ([Frankfurt : Abraham= Scultetus]) Editorial comment: Printer not named in the publication [Parrhisiis] : venales inveniuntur in vico sancti Iacobi apud Leonem=20 Argenteum [Johannem Petit], 1508 (Parrhisiis : impressae in Bellovisu=20 [apud] Johannem Marchant) Note: Petit's name, the place, date and the statement of printing are taken= =20 from the colophon Venundatur Parrhisiis : in vico sancti Iacobi sub Leone Argenteo, Jehan=20 Petit, [ca. 1509] ([Paris : Jean Marchant]) Note: The last leaf bears the device of the printer. Petit's name appears in a device on the title-page -------------------- 2. Multiple edition statements If we give all printing statements in the 250, what do we do about the=20 "historical" type of printing statements that often appear? Example 1 (Made up) First published in London by Faber and Faber in 1932 First American edition First printing 1933; second printing July 1934; third printing December 1934 Would we give both the "First American edition" and the "third printing=20 December 1934" in the 250 and then give other information in a note? Would= =20 it be better to give the edition statement in the 250 and the printing=20 information in a note? ------------------------ 3. In general, where Manon has used the phrase "if desired", would it be=20 better to give a rule, to either do or don't do, but give the other as an= =20 option. Example: "Do not transcribe pre 1870 copyright dates. Optionally, add this=20 information in a note." Jane Jane Gillis | Rare Book Cataloger| Sterling Memorial Library Yale University | New Haven CT 06520 (203)432-8383 (voice) | (203)432-7231 (fax) | jane.gillis@yale.edu --=====================_7702765==_.ALT Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Manon has done a superb job in her position paper on Machine Press Cataloging.  I do have a few comments/questions.  There is one problem--I cannot copy and paste text from the Adobe Acrobat document.

1.  On p. 2, half way through:

whether or not the current instruction to treat printers and publishers as interchangeable in the imprint area is to be observed for bothearly and modern materials ...

The following is from ISBD(A).  Do we want to consider this?  In many ways it does make sense.  I think this would have to be done for all publications and not just after a certain date.

4.5 Place of printing
&
4.6 Name of printer
4.5.1 The place of printing and the name of the printer are given following the date, & 4.6.1 when they appear in the publication, but not in the first preferred prescribed source of information for the place of publication, etc., or name of publisher, etc., elements, or when they do not appear in the publication and are known and considered important by the bibliographic agency.
4.5.2 The place(s) of printing and the name(s) of printer(s) are given in the same way & 4.6.2 as the principal place(s) of publication, etc., and name of publisher, etc.
e.g.
A Paris : chez Nyon l'a=EEn=E9, 1781 ([Paris] : de l'imprimerie de la veuve Thiboust)
Note: Printer named in colophon
Francofurti : prostat apud Ionam Rosarn, 1616 ([Frankfurt : Abraham Scultetus])
Editorial comment: Printer not named in the publication
[Parrhisiis] : venales inveniuntur in vico sancti Iacobi apud Leonem Argenteum [Johannem Petit], 1508 (Parrhisiis : impressae in Bellovisu [apud] Johannem Marchant)
Note: Petit's name, the place, date and the statement of printing are taken from the colophon
Venundatur Parrhisiis : in vico sancti Iacobi sub Leone Argenteo, Jehan Petit, [ca. 1509] ([Paris : Jean Marchant])
Note: The last leaf bears the device of the printer.
Petit's name appears in a device on the title-page

--------------------

2. Multiple edition statements

If we give all printing statements in the 250, what do we do about the "historical" type of printing statements that often appear?

Example 1 (Made up)
First published in London by Faber and Faber in 1932
First American edition
First printing 1933; second printing July 1934; third printing December 1934

Would we give both the "First American edition" and the "third printing December 1934" in the 250 and then give other information in a note?  Would it be better to give the edition statement in the 250 and the printing information in a note?

------------------------

3.  In general, where Manon has used the phrase "if desired", would it be better to give a rule, to either do or don't do,  but give the other as an option.

Example:
"Do not transcribe pre 1870 copyright dates.  Optionally, add this information in a note."

Jane

Jane Gillis | Rare Book Cataloger|  Sterling Memorial Library
Yale University | New Haven CT  06520
(203)432-8383 (voice) | (203)432-7231 (fax) | jane.gillis@yale.edu
--=====================_7702765==_.ALT-- From dcrb-l@lib.byu.edu Mon Jan 6 19:44:37 2003 From: dcrb-l@lib.byu.edu (Ann W. Copeland) Date: Mon, 06 Jan 2003 14:44:37 -0500 Subject: [DCRB-L] WG3 In-Reply-To: <5.1.0.14.2.20030106110258.00abdfb0@jgillis.mail.yale.edu> Message-ID: <5.1.0.14.2.20030106143351.00b16108@psulias.psu.edu> --Boundary_(ID_z8iLMOVGViUg30Z5b1gYLg) Content-type: text/plain; charset=us-ascii; format=flowed Content-transfer-encoding: 7BIT I also have a few comments on Manon's fine text for Working Group 3 - just beginning to look at the document closely. I send them as an attachment. 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//////////////////////////////////////////////////////////////////////////// ////////////////////////////////////////////////////AQD+/wMKAAD/////BgkCAAAA AADAAAAAAAAARhgAAABNaWNyb3NvZnQgV29yZCBEb2N1bWVudAAKAAAATVNXb3JkRG9jABAAAABX b3JkLkRvY3VtZW50LjgA9DmycQAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA= --Boundary_(ID_z8iLMOVGViUg30Z5b1gYLg)-- From dcrb-l@lib.byu.edu Fri Jan 10 16:28:03 2003 From: dcrb-l@lib.byu.edu (Jane Gillis) Date: Fri, 10 Jan 2003 11:28:03 -0500 Subject: [DCRB-L] General Principles draft, 20021116 Message-ID: <5.1.0.14.2.20030110091234.00abd0d0@jgillis.mail.yale.edu> Joe's draft is excellent. From my understanding of FRBR (and I am learning more about it all the time) I have a question on the sentence that appears on p. 2: Of these four entities, rules for describing rare materials necessarily place particular emphasis on guidance for descriptions of manifestations and for descriptions of items. According to FRBR: 3.1.1. Group 1 Entities: .. "The entities defines as work ... and expression ... reflect intellectual or artistic content. The entities defines as manifestation ... and item, ... on the other hand, reflect physical form. The only entities that anyone catalogs are manifestations and items. You can't catalog an expression or work since they are not physical. AACR2 gives us rules for cataloging manifestations. Besides the item itself, whatever there is between manifestation and item (issue, state?) is where rare materials catalogers need more guidance. It is also possible that this is my misreading of FRBR. Jane Jane Gillis | Rare Book Cataloger| Sterling Memorial Library Yale University | New Haven CT 06520 (203)432-8383 (voice) | (203)432-7231 (fax) | jane.gillis@yale.edu From dcrb-l@lib.byu.edu Mon Jan 13 15:15:15 2003 From: dcrb-l@lib.byu.edu (Joe Springer) Date: Mon, 13 Jan 2003 10:15:15 -0500 Subject: [DCRB-L] General Principles draft, 20021116 In-Reply-To: <5.1.0.14.2.20030110091234.00abd0d0@jgillis.mail.yale.edu> Message-ID: <5.1.0.14.0.20030113092850.03726a00@mail.goshen.edu> Jane's point is one that the General Principles group will, I am sure, want to discuss. Group wisdom may come up with clearer ways to articulate various points contained in the draft In the section of the draft devoted to FRBR I was attempting a rather cursory "drill-down" through FRBR to get to those parts that are particularly germaine to the discussion of descriptive cataloging of rare materials. It is my firm belief that we should and do in fact use the same underlying principles in descriptive cataloging of rare materials as are used in other cataloging. What we need to pay attention to in our rules is where, as stated a bit further on in the draft, the "standard provisions of general rules of description such as found in AACR2 ... render adequate description of the attributes of manifestations and items difficult or impossible." [understanding that the manifestations and items referred to here are "rare materials"]. Although the ultimate focus of all cataloging tends to include manifestations, there are certainly always aspects that relate to work and expression. In my consideration, I failed to conceive of instances where the provisions of general cataloging rules that promote description of work/expression do not work as well for rare materials. This is, however, not the case once one reaches the level of manifestation. (Historically, of course, it was not even so much "manifestation" as "item" that was the focus of all cataloging and at some level much cataloging still derives at some level not only from "manifestation" but from "item"--albeit at times rather loosely conceived, e.g. is the basis of CIP records, truly an item?. I would posit, however, that it general cataloging today seldom truly needs to concern itself with item, whereas ignoring the "item" in cataloging rare materials would be next to impossible if one is producing records that meet user needs.) Joe Springer At 11:28 AM 1/10/03 -0500, you wrote: >Joe's draft is excellent. From my understanding of FRBR (and I am learning >more about it all the time) I have a question on the sentence that appears >on p. 2: > >Of these four entities, rules for describing rare materials necessarily >place particular emphasis on guidance for descriptions of manifestations >and for descriptions of items. > >According to FRBR: > >3.1.1. Group 1 Entities: .. "The entities defines as work ... and >expression ... reflect intellectual or artistic content. The entities >defines as manifestation ... and item, ... on the other hand, reflect >physical form. > >The only entities that anyone catalogs are manifestations and items. You >can't catalog an expression or work since they are not physical. AACR2 >gives us rules for cataloging manifestations. Besides the item >itself, whatever there is between manifestation and item (issue, state?) >is where rare materials catalogers need more guidance. > >It is also possible that this is my misreading of FRBR. > >Jane > >Jane Gillis | Rare Book Cataloger| Sterling Memorial Library >Yale University | New Haven CT 06520 >(203)432-8383 (voice) | (203)432-7231 (fax) | jane.gillis@yale.edu Joe Springer joeas@goshen.edu/574-535-7421 fax 574-535-7438 From dcrb-l@lib.byu.edu Thu Jan 16 16:58:38 2003 From: dcrb-l@lib.byu.edu (Jane Gillis) Date: Thu, 16 Jan 2003 11:58:38 -0500 Subject: [DCRB-L] Fwd: AACR2 and MARC Message-ID: <5.1.0.14.2.20030116115544.00ad03a8@jgillis.mail.yale.edu> --=====================_14183204==_.ALT Content-Type: text/plain; charset="us-ascii"; format=flowed I am forwarding this message from Autocat because Gordon Pew makes an excellent point on why examples in AACR2 (and other codes, I would add) need to be in the MARC format. I think this has been discussed in Bib Standards. I hope we take this advice in formulating the DCRM chapters. Jane >Date: Thu, 16 Jan 2003 10:37:06 -0600 >Reply-To: AUTOCAT , > Gordon Pew >Sender: AUTOCAT >From: Gordon Pew >Subject: AACR2 and MARC >To: AUTOCAT@LISTSERV.BUFFALO.EDU >X-YaleITSMailFilter: Version 1.0c (attachment(s) not renamed) > >In replying to the thread about how to record a reprint date, Mac Elrod >commented, "Some decade I hope we will have the examples in AACR2 given >with MARC coding". I couldn't agree more. It has often been noted on >this list that AACR2 is a cataloging code that is supposed to be >communications-format neutral. It is designed to serve catalogers who use >every kind of carrier from typed-up cards to integrated library systems: >and, as presently constituted, it is for use by libraries employing >USMARC, UKMARC, CANMARC, Australian MARC (or their successors), and >probably others. > >Increasingly, however, national standards are moving toward harmonization, >and non-Anglo-American schemes are being studied for harmonization as well >(e.g., the German RAK, IIRC). Increasingly, also, technology has allowed >the automation of some of the smallest libraries. These developments >argue for the admission by the code-writers that the great majority of >libraries interpret AACR2 through the MARC format. There are some things >in AACR2 that I find very cumbersome to place within the MARC format. >One of the latest developments, the accommodation of earlier and current >imprints for looseleafs and other integrating resources, is a case in >point. In AACR2, the provision of this information is made by notes: in >the MARC format, the information is carried (or will be) in repeating 260 >fields. In AACR2, 2002 revision, this is explained in 12.4 et seq., where >one is instructed to use notes for earlier publishing information. You >must know the MARC format in order to know that you should enter earlier >place and publisher in a second 260 field: and your automated system may >or may not generate a note in the bibliographic record. If it doesn't, >you must add one manually. > >If "they" won't take the steps necessary to make the correlation between >AACR2 and the MARC format, perhaps it is time for someone else to create a >work that will provide this vital service for catalogers -- especially in >a time when professional catalogers seem, literally, to be a dying breed. >(And don't even get me started on the complications caused by the LCRIs!) > >Gordon Pew >Head of Copy Cataloging and Database Management >Harvard Law School Library >164 Langdell Hall >1545 Massachusetts Avenue >Cambridge, Mass. 02138 >gpew@law.harvard.edu >(617) 495-4487 Jane Gillis | Rare Book Cataloger| Sterling Memorial Library Yale University | New Haven CT 06520 (203)432-8383 (voice) | (203)432-7231 (fax) | jane.gillis@yale.edu --=====================_14183204==_.ALT Content-Type: text/html; charset="us-ascii" I am forwarding this message from Autocat because Gordon Pew makes an excellent point on why examples in AACR2 (and other codes, I would add) need to be in the MARC format.  I think this has been discussed in Bib Standards.  I hope we take this advice in formulating the DCRM chapters.

Jane


Date:         Thu, 16 Jan 2003 10:37:06 -0600
Reply-To: AUTOCAT <AUTOCAT@LISTSERV.BUFFALO.EDU>,
   Gordon Pew <gpew@law.harvard.edu>
Sender: AUTOCAT <AUTOCAT@LISTSERV.BUFFALO.EDU>
From: Gordon Pew <gpew@law.harvard.edu>
Subject: AACR2 and MARC
To: AUTOCAT@LISTSERV.BUFFALO.EDU
X-YaleITSMailFilter: Version 1.0c (attachment(s) not renamed)

In replying to the thread about how to record a reprint date, Mac Elrod
commented, "Some decade I hope we will have the examples in AACR2 given
with MARC coding".  I couldn't agree more.  It has often been noted on
this list that AACR2 is a cataloging code that is supposed to be
communications-format neutral.  It is designed to serve catalogers who use
every kind of carrier from typed-up cards to integrated library systems:
and, as presently constituted, it is for use by libraries employing
USMARC, UKMARC, CANMARC, Australian MARC (or their successors), and
probably others.

Increasingly, however, national standards are moving toward harmonization,
and non-Anglo-American schemes are being studied for harmonization as well
(e.g., the German RAK, IIRC).  Increasingly, also, technology has allowed
the automation of some of the smallest libraries.  These developments
argue for the admission by the code-writers that the great majority of
libraries interpret AACR2 through the MARC format.  There are some things
in AACR2 that I find very cumbersome to place within the MARC format.
One of the latest developments, the accommodation of earlier and current
imprints for looseleafs and other integrating resources, is a case in
point.  In AACR2, the provision of this information is made by notes: in
the MARC format, the information is carried (or will be) in repeating 260
fields.  In AACR2, 2002 revision, this is explained in 12.4 et seq., where
one is instructed to use notes for earlier publishing information.  You
must know the MARC format in order to know that you should enter earlier
place and publisher in a second 260 field: and your automated system may
or may not generate a note in the bibliographic record.  If it doesn't,
you must add one manually.

If "they" won't take the steps necessary to make the correlation between
AACR2 and the MARC format, perhaps it is time for someone else to create a
work that will provide this vital service for catalogers -- especially in
a time when professional catalogers seem, literally, to be a dying breed.
(And don't even get me started on the complications caused by the LCRIs!)

Gordon Pew
Head of Copy Cataloging and Database Management
Harvard Law School Library
164 Langdell Hall
1545 Massachusetts Avenue
Cambridge, Mass. 02138
gpew@law.harvard.edu
(617) 495-4487

Jane Gillis | Rare Book Cataloger|  Sterling Memorial Library
Yale University | New Haven CT  06520
(203)432-8383 (voice) | (203)432-7231 (fax) | jane.gillis@yale.edu
 --=====================_14183204==_.ALT-- From dcrb-l@lib.byu.edu Thu Jan 16 19:46:45 2003 From: dcrb-l@lib.byu.edu (Deborah J. Leslie) Date: Thu, 16 Jan 2003 14:46:45 -0500 Subject: [DCRB-L] Fwd: AACR2 and MARC Message-ID: <88539F4A9A5C3041B06A234AA2ABDB58013F2AEE@portia.folger.edu> This is a multi-part message in MIME format. ------_=_NextPart_001_01C2BD98.001FEFF4 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable I completely agree that examples in DCRM should be encoded in MARC. = --DJL -----Original Message----- From: Jane Gillis [mailto:jane.gillis@yale.edu]=20 Sent: Thursday, January 16, 2003 11:59 AM To: dcrb-l@lib.byu.edu Subject: [DCRB-L] Fwd: AACR2 and MARC I am forwarding this message from Autocat because Gordon Pew makes an = excellent point on why examples in AACR2 (and other codes, I would add) = need to be in the MARC format. I think this has been discussed in Bib = Standards. I hope we take this advice in formulating the DCRM chapters. Jane Date: Thu, 16 Jan 2003 10:37:06 -0600 Reply-To: AUTOCAT , Gordon Pew Sender: AUTOCAT From: Gordon Pew Subject: AACR2 and MARC To: AUTOCAT@LISTSERV.BUFFALO.EDU X-YaleITSMailFilter: Version 1.0c (attachment(s) not renamed) In replying to the thread about how to record a reprint date, Mac Elrod commented, "Some decade I hope we will have the examples in AACR2 given with MARC coding". I couldn't agree more. It has often been noted on this list that AACR2 is a cataloging code that is supposed to be communications-format neutral. It is designed to serve catalogers who = use every kind of carrier from typed-up cards to integrated library systems: and, as presently constituted, it is for use by libraries employing USMARC, UKMARC, CANMARC, Australian MARC (or their successors), and probably others. Increasingly, however, national standards are moving toward = harmonization, and non-Anglo-American schemes are being studied for harmonization as = well (e.g., the German RAK, IIRC). Increasingly, also, technology has = allowed the automation of some of the smallest libraries. These developments argue for the admission by the code-writers that the great majority of libraries interpret AACR2 through the MARC format. There are some = things in AACR2 that I find very cumbersome to place within the MARC format. One of the latest developments, the accommodation of earlier and current imprints for looseleafs and other integrating resources, is a case in point. In AACR2, the provision of this information is made by notes: in the MARC format, the information is carried (or will be) in repeating = 260 fields. In AACR2, 2002 revision, this is explained in 12.4 et seq., = where one is instructed to use notes for earlier publishing information. You must know the MARC format in order to know that you should enter earlier place and publisher in a second 260 field: and your automated system may or may not generate a note in the bibliographic record. If it doesn't, you must add one manually. If "they" won't take the steps necessary to make the correlation between AACR2 and the MARC format, perhaps it is time for someone else to create = a work that will provide this vital service for catalogers -- especially = in a time when professional catalogers seem, literally, to be a dying = breed. (And don't even get me started on the complications caused by the = LCRIs!) Gordon Pew Head of Copy Cataloging and Database Management Harvard Law School Library 164 Langdell Hall 1545 Massachusetts Avenue Cambridge, Mass. 02138 gpew@law.harvard.edu (617) 495-4487=20 Jane Gillis | Rare Book Cataloger| Sterling Memorial Library Yale University | New Haven CT 06520 (203)432-8383 (voice) | (203)432-7231 (fax) | jane.gillis@yale.edu ------_=_NextPart_001_01C2BD98.001FEFF4 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Message

I=20 completely agree that examples in DCRM should be encoded in MARC.=20 --DJL
-----Original Message-----
From: Jane = Gillis=20 [mailto:jane.gillis@yale.edu]
Sent: Thursday, January 16, = 2003=20 11:59 AM
To: dcrb-l@lib.byu.edu
Subject: [DCRB-L] = Fwd:=20 AACR2 and MARC

I am forwarding this = message=20 from Autocat because Gordon Pew makes an excellent point on why = examples in=20 AACR2 (and other codes, I would add) need to be in the MARC = format.  I=20 think this has been discussed in Bib Standards.  I hope we take = this=20 advice in formulating the DCRM chapters.

Jane


Date:         = Thu, 16=20 Jan 2003 10:37:06 -0600
Reply-To: AUTOCAT=20 <AUTOCAT@LISTSERV.BUFFALO.EDU>,
   Gordon Pew=20 <gpew@law.harvard.edu>
Sender: AUTOCAT=20 <AUTOCAT@LISTSERV.BUFFALO.EDU>
From: Gordon Pew=20 <gpew@law.harvard.edu>
Subject: AACR2 and MARC
To:=20 AUTOCAT@LISTSERV.BUFFALO.EDU
X-YaleITSMailFilter: Version 1.0c=20 (attachment(s) not renamed)

In replying to the thread about = how to=20 record a reprint date, Mac Elrod
commented, "Some decade I hope = we will=20 have the examples in AACR2 given
with MARC coding".  I = couldn't=20 agree more.  It has often been noted on
this list that AACR2 = is a=20 cataloging code that is supposed to be
communications-format=20 neutral.  It is designed to serve catalogers who use
every = kind of=20 carrier from typed-up cards to integrated library systems:
and, = as=20 presently constituted, it is for use by libraries = employing
USMARC,=20 UKMARC, CANMARC, Australian MARC (or their successors), = and
probably=20 others.

Increasingly, however, national standards are moving = toward=20 harmonization,
and non-Anglo-American schemes are being studied = for=20 harmonization as well
(e.g., the German RAK, IIRC).  = Increasingly,=20 also, technology has allowed
the automation of some of the = smallest=20 libraries.  These developments
argue for the admission by = the=20 code-writers that the great majority of
libraries interpret AACR2 = through=20 the MARC format.  There are some things
in AACR2 that I find = very=20 cumbersome to place within the MARC format.
One of the latest=20 developments, the accommodation of earlier and current
imprints = for=20 looseleafs and other integrating resources, is a case = in
point.  In=20 AACR2, the provision of this information is made by notes: in
the = MARC=20 format, the information is carried (or will be) in repeating=20 260
fields.  In AACR2, 2002 revision, this is explained in = 12.4 et=20 seq., where
one is instructed to use notes for earlier publishing = information.  You
must know the MARC format in order to know = that=20 you should enter earlier
place and publisher in a second 260 = field: and=20 your automated system may
or may not generate a note in the = bibliographic=20 record.  If it doesn't,
you must add one manually.

If = "they"=20 won't take the steps necessary to make the correlation = between
AACR2 and=20 the MARC format, perhaps it is time for someone else to create = a
work=20 that will provide this vital service for catalogers -- especially = in
a=20 time when professional catalogers seem, literally, to be a dying=20 breed.
(And don't even get me started on the complications caused = by the=20 LCRIs!)

Gordon Pew
Head of Copy Cataloging and Database=20 Management
Harvard Law School Library
164 Langdell = Hall
1545=20 Massachusetts Avenue
Cambridge, Mass.=20 02138
gpew@law.harvard.edu
(617) 495-4487 =

Jane Gillis | Rare Book Cataloger|  Sterling = Memorial=20 Library
Yale University | New Haven CT  06520
(203)432-8383 = (voice)=20 | (203)432-7231 (fax) |=20 jane.gillis@yale.edu

------_=_NextPart_001_01C2BD98.001FEFF4-- From dcrb-l@lib.byu.edu Thu Jan 16 20:09:36 2003 From: dcrb-l@lib.byu.edu (Auyong, Dorothy) Date: Thu, 16 Jan 2003 12:09:36 -0800 Subject: [DCRB-L] Fwd: AACR2 and MARC Message-ID: <5DBD4E69A7C4D4118190001083FDD0AF043DDF39@archer.huntington.org> This message is in MIME format. Since your mail reader does not understand this format, some or all of this message may not be legible. ------_=_NextPart_001_01C2BD9B.310F44E0 Content-Type: text/plain; charset="iso-8859-1" I completely agree that examples in DCRM should be encoded in MARC. -DJL ********* ********* ** Are the words "Amen" and "Hallelujah" considered out of place in a secular discussion? ;-) Dorothy Auyong Principal Rare Book Cataloger Henry E. Huntington Library dauyong@huntington.org u ------_=_NextPart_001_01C2BD9B.310F44E0 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Message

I completely agree = that examples in DCRM should be encoded in MARC. –DJL

 

********* ********* = **

 

Are the words “Amen” = and “Hallelujah” considered out of place in a secular = discussion?

 

;-)

<= ![if = !supportEmptyParas]> 

=

Dorothy = Auyong<= /p>

Principal Rare Book = Cataloger<= /p>

Henry E. Huntington = Library<= /p>

dauyong@huntington.org<= /p>

=  

=

u=

------_=_NextPart_001_01C2BD9B.310F44E0-- From dcrb-l@lib.byu.edu Thu Jan 16 20:43:36 2003 From: dcrb-l@lib.byu.edu (Jain Fletcher) Date: Thu, 16 Jan 2003 12:43:36 -0800 (Pacific Standard Time) Subject: [DCRB-L] Fwd: AACR2 and MARC In-Reply-To: <88539F4A9A5C3041B06A234AA2ABDB58013F2AEE@portia.folger.edu> Message-ID: Yes, me too. In fact, tho' I know many of the DCRM(Music) Task Group are already on DCRB-L, I forwarded Jane's message to our Group anyway. We had already decided to put our examples into MARC, but it's nice to see such an interesting angle towards support of the idea. --Jain On Thu, 16 Jan 2003 14:46:45 -0500 "Deborah J. Leslie" wrote: > I completely agree that examples in DCRM should be encoded in MARC. --DJL > > -----Original Message----- > From: Jane Gillis [mailto:jane.gillis@yale.edu] > Sent: Thursday, January 16, 2003 11:59 AM > To: dcrb-l@lib.byu.edu > Subject: [DCRB-L] Fwd: AACR2 and MARC > > > I am forwarding this message from Autocat because Gordon Pew makes an excellent point on why examples in AACR2 (and other codes, I would add) need to be in the MARC format. I think this has been discussed in Bib Standards. I hope we take this advice in formulating the DCRM chapters. > > Jane > > > > > Date: Thu, 16 Jan 2003 10:37:06 -0600 > Sender: AUTOCAT > From: Gordon Pew > Subject: AACR2 and MARC > To: AUTOCAT@LISTSERV.BUFFALO.EDU > > In replying to the thread about how to record a reprint date, Mac Elrod > commented, "Some decade I hope we will have the examples in AACR2 given > with MARC coding". I couldn't agree more. It has often been noted on > this list that AACR2 is a cataloging code that is supposed to be > communications-format neutral. It is designed to serve catalogers who use > every kind of carrier from typed-up cards to integrated library systems: > and, as presently constituted, it is for use by libraries employing > USMARC, UKMARC, CANMARC, Australian MARC (or their successors), and > probably others. > > Increasingly, however, national standards are moving toward harmonization, > and non-Anglo-American schemes are being studied for harmonization as well > (e.g., the German RAK, IIRC). Increasingly, also, technology has allowed > the automation of some of the smallest libraries. These developments > argue for the admission by the code-writers that the great majority of > libraries interpret AACR2 through the MARC format. There are some things > in AACR2 that I find very cumbersome to place within the MARC format. > One of the latest developments, the accommodation of earlier and current > imprints for looseleafs and other integrating resources, is a case in > point. In AACR2, the provision of this information is made by notes: in > the MARC format, the information is carried (or will be) in repeating 260 > fields. In AACR2, 2002 revision, this is explained in 12.4 et seq., where > one is instructed to use notes for earlier publishing information. You > must know the MARC format in order to know that you should enter earlier > place and publisher in a second 260 field: and your automated system may > or may not generate a note in the bibliographic record. If it doesn't, > you must add one manually. > > If "they" won't take the steps necessary to make the correlation between > AACR2 and the MARC format, perhaps it is time for someone else to create a > work that will provide this vital service for catalogers -- especially in > a time when professional catalogers seem, literally, to be a dying breed. > (And don't even get me started on the complications caused by the LCRIs!) > > Gordon Pew > Head of Copy Cataloging and Database Management > Harvard Law School Library > 164 Langdell Hall > 1545 Massachusetts Avenue > Cambridge, Mass. 02138 > gpew@law.harvard.edu > (617) 495-4487 > > Jane Gillis | Rare Book Cataloger| Sterling Memorial Library > Yale University | New Haven CT 06520 > (203)432-8383 (voice) | (203)432-7231 (fax) | jane.gillis@yale.edu > > Jain Fletcher Head, Technical Services Division Dept. of Special Collections A1713 YRL Research Library - UCLA Box 951575 Los Angeles, CA 90095-1575 v: (310) 794-4096 f: (310) 206-1864 From dcrb-l@lib.byu.edu Thu Jan 16 20:46:40 2003 From: dcrb-l@lib.byu.edu (Deborah J. Leslie) Date: Thu, 16 Jan 2003 15:46:40 -0500 Subject: [DCRB-L] WG5: Problems draft Message-ID: <88539F4A9A5C3041B06A234AA2ABDB58013F2AF4@portia.folger.edu> The link below leads to a preliminary list of the identified problems and lacunae in DCRB. Read it with your DCRB in hand. Comments, questions, arguments welcome. "NLS" is a reference to the National Library of Scotland's local practice, which I read while composing my list. http://www.folger.edu/bsc/dcrb/problems20021218.doc ___________________________ Deborah J. Leslie, M.A., M.L.S. Head of Cataloging Folger Shakespeare Library 201 East Capitol St., S.E. Washington, D.C. 20003 202.675-0369 (p) 202.675-0328 (f) djleslie@folger.edu www.folger.edu From dcrb-l@lib.byu.edu Fri Jan 17 21:16:18 2003 From: dcrb-l@lib.byu.edu (Laurence Creider) Date: Fri, 17 Jan 2003 14:16:18 -0700 (MST) Subject: [DCRB-L] Re: WG 5: Problems draft (fwd) Message-ID: Folks, Here are some comments about the draft available at http://www.folger.edu/bsc/dcrb/problems20021218.doc that I sent to Deborah earlier. She suggested that I might forward them to the list. Larry Laurence S. Creider Head, General Cataloging Unit New Mexico State University Las Cruces, NM 88003 Work: 505-646-4707 Fax: 505-646-7477 lcreider@lib.nmsu.edu ---------- Forwarded message ---------- I had a chance to work through the list while in California visiting my father and agree with most of what Deborah says. Here are some comments on some of her suggestions and a few additional topics we might consider. 1B1 This raises some interesting questions: a) What do "separable" or "grammatically linked" (1B6) mean? Genitive constructions tend to be considered inseparable while many prepositional phrases are treated as separable, especially those indicating agency. How about relative clauses and absolute constructions? Does "separability" depend on the characteristics of a given language? I have often wondered about this issue in regards to Latin texts (cf the examples in 1G4 and the second example in 1G10). b) The proposed change disagrees with ISBD(A) rev., as do several others. Does this matter to us? My impression of the ISBD is that either it borrows a good deal from, including examples, from BDRB/DCRB or vice-versa. Does anyone know the primary direction of influence? It would make a difference in how eagerly we might go about making some of these changes. c) If we change this rule, should we also change 1B6? 1G6. If we keep this, shouldn't we specify a note on any transposition? 1G8. We transcribe such initials if they are part of a genitive construction at the start of a title. Is this an inconsistency to worry about? I generally retain such additions under provision b) anyway. 1G9. I agree this has no place in early books, but we might want to keep the rule for later imprints. 1G11. The problem with the notion "that in case of doubt, treat ... as part of the statement of responsibility" is that the phrase cannot be searched as part of the title. This is a problem for short titles such as those given in the examples. Maybe drop that last sentence in the rule? 2B1. I like the proposal; IIRC it is one of those places where we would be diverging from ISBD(A). 2C1. Why is a statement that doesn't name a person or corporate body not considered a statement of responsibility for an edition statement is considered a SoR in the title area (1G12)? 4B3. How about merely adding some examples? Otherwise, we could end up with Berolini [Berlin]! (Please don't tell me this would _never_ happen; cataloger's judgment is sometimes not exercised) Who is the audience for the record? 4C2. Can we point to cases where this is important? Otherwise, why are we doing it? 4C6. Here, here. I don't know if anyone else has the problem, but I have never been sure whether the provision that allows you to say [and 9 others] counts firms/partnerships or names. A silly matter, but I can get rather confused with early 18th century British imprints. I would love to see this addressed. Do we know of cases where editions or at least issues would be distinguished by this provision? 4D2. Copyright. Our practice here differs from the LCRI for printed books (they are the only format for which one does not record a different copyright date). Does it matter? 5B6. 1 v (various pagings). I can think of some cases where one would want to banish 6 or 7 sequences to a note. Maybe the option could be accompanied by the words, "As a last resort?" :) 5B7 par. 2. There are some cases where there are multiple duplications of pagination and corresponding omisions of page numbers. Sometimes the last numbered page is "correct" and sometimes it isn't. In such cases, a note might be better. 5B3. What about unnumbered blank leaves that are not closely associated with either of two sequences they lie between? 5B17. I think the rules need to be clearer about when "physical" and "bibliographical" volumes can be distinguished for books sold unbound. Obviously, when the signatures are continuous, one can assume that Vol. 2 is a bibliographic volume. However, when each volume has separate signatures and special t.p. it is much harder to sort out the intention. I'm not expressing this well, but Deborah knows what I mean. We discussed this years ago. Larry From dcrb-l@lib.byu.edu Fri Jan 17 23:29:47 2003 From: dcrb-l@lib.byu.edu (Auyong, Dorothy) Date: Fri, 17 Jan 2003 15:29:47 -0800 Subject: [DCRB-L] WG5: Problems draft Message-ID: <5DBD4E69A7C4D4118190001083FDD0AF043DDF76@archer.huntington.org> Great job Deborah, And now having complimented you on your good work, may I respectfully make the following suggestions: 5B9 As an addendum, may we also consider cases in which engraved plates (frontispieces mostly, but sometimes distributed elsewhere in the publication) are clearly intended by the printer as part of the pagination sequence? A similar problem can arise when a non-letterpress leaf is clearly an integral part of a gathering. A printer may or may not choose to include this in the pagination. Do we deal with it as a "plate" (because its not letterpress) or not? The instructions on engraved title pages have already been noted as problematic. Also consider clarification of the definition of "double plate" (given in paragraph 1). From the current wording, it appears that a "double plate" must be folded and MOUNTED at the inner margin. If the same sheet were folded in the middle, but inserted at one of its outer edges, is it now defined as a "single" (albeit oversized) plate?? This is only a problem when they are unnumbered (as they frequently are). This situation is obviously binder- (and therefore copy-) specific. A problem can sometimes only be evident if you have the privilege (dubious) of having multiple copies. The difference in handling a double vs. a single plate can make one copy appear to be either imperfect or a variant. A uniformity of description is desirable to ensure proper identification. 5B11 Again need clarification of what is meant by "double leaf" (see argument re: mounting of "double plates") and also give guidelines for copy-specific cases. Yes, we have examples. In all of this, we're trying to account for the completeness and identification of the item. Current instructions regarding plates vs. letterpress often result in confusion between the signature and pagination statements, creating a bibliographic muddle. This, Martha will agree, is Not A Good Thing. My two cents contributed. (1 cent from Eileen) Which is more wages than I usually earn on a Friday afternoon. Dorothy Auyong Principal Rare Book Cataloger Henry E. Huntington Library dauyong@huntington.org From dcrb-l@lib.byu.edu Sat Jan 18 19:37:48 2003 From: dcrb-l@lib.byu.edu (Deborah J. Leslie) Date: Sat, 18 Jan 2003 14:37:48 -0500 Subject: [DCRB-L] Re: WG3: Machine press issues Message-ID: <88539F4A9A5C3041B06A234AA2ABDB58C37180@portia.folger.edu> Excellent work, Manon! Please excuse my sometimes rambling comments--I'm working out what I think as I write. p. 2, on the issue of whether to give printers, publishers, and booksellers equal priority. The reason they are regarded as equal in importance and treated that way in the imprint for hand-press books is that those functions were not well-defined nor even well-differentiated. That changes, however, by the machine-press era, by which time the publisher clearly carried prime importance, and printers (stereotypers, &c.) were secondary players. That is one argument in favor of treating machine-press books differently than the earlier ones. However, is it not the case that this same solidification of function and the primacy of the publisher is in fact represented in imprints? My point is to wonder if we were to treat later imprints the same as earlier ones, how much difference there might be in transcription and the contents of the respective elements of field 260. Let's back up and consider why an agency might want to use DCRB for machine-press materials. (May I call them 19c as a shorthand?). It is of course because the artifact (or carrier) is considered to carry significance quite apart from the content. Otherwise AACR2 would do just fine. So in considering what kinds of adaptations we should make to DCRB for 19c books, we need to take into account both the characteristics of 19c books as well as the underlying reasons a more faithful and detailed physical description might be desired. One of the principles of DCRB transcription is to convey the content, although not necessarily the form, of what is being transcribed. This is why we permit little or no transposition, abbreviation, abridgement, or modernized spelling. However, we also try to give true and relatively complete information about the elements we've decided to transcribe. Thus our correction of false imprints or erroneous dates; thus the permission to populate the 260 with subfields from different sources within the publication. It seems to me that we need to decide which is more important for 19c works: is it the representation of an item as it represents itself (priority or even exclusion given to the chief source for imprint transcription). If so, then an argument for making a note about printers &c. not appearing on the chief source is more compelling. If we are more concerned with providing true and complete information, then everything ought to go in the 260. And if the latter, we might still decide whether to use the manufacture subfields, or whether to provide multiple "publisher" statements. On Manon's second major issue to be resolved, on whether the rules need to make a stand on when to create new records, she is right that it is in the bailiwick of WG6. DCRB already does take some implicit stands, such as transcribing the label data covering an original imprint, rather than the other way around. This presumes a separate record for different issues. The rule on recording impression dates, too, presume a separate record for different impressions. The addition of the 19c to DCRB will force us to get off the fence. My first impulse is to state that new DCRM records ought to be created for each different edition, issue, and impression (as far as it can be determined). But doesn't that complicate the recognized need for more choices in applying DCRM, such as minimal-, core-, and collection-level in addition to full-level? Perhaps not, but we must keep that in mind. Deborah J. Leslie Chair, RBMS Bibliographic Standards Committee Head of Cataloging Folger Shakespeare Library 201 East Capitol St., SE Washington, DC 20003 202.675-0369 djleslie@folger.edu www.folger.edu From dcrb-l@lib.byu.edu Sat Jan 18 19:54:03 2003 From: dcrb-l@lib.byu.edu (Deborah J. Leslie) Date: Sat, 18 Jan 2003 14:54:03 -0500 Subject: [DCRB-L] WG3: t.p. & wrapper titles Message-ID: <88539F4A9A5C3041B06A234AA2ABDB58C37181@portia.folger.edu> Anyone who has tried to use DCRB for 19c books knows the frustration of a printed t.p. with information substantially different from that on a wrapper. Our decision here will force our hand on the issue, so to speak, of creating separate records for different issues. We have to come down on one side or the other. For those who have not seen what we're talking about, it is a wrapper (that is, paper with usually the same or lighter weight than the text block, wrapped around same) with printing on the top side that looks just like a t.p. A wrapper printed with different information than a t.p. in the 19c has the same function as a re-issue of old sheets with a new t.p. in the HP period. It may or may not signal a different impression, but it certainly signals a different issue. I will even go further to say that if preferring a printed wrapper over a t.p. as chief source in this case doesn't seem appropriate, then the decision to use DCRM for 19c ought to be reconsidered. Deborah J. Leslie Chair, RBMS Bibliographic Standards Committee Head of Cataloging Folger Shakespeare Library 201 East Capitol St., SE Washington, DC 20003 202.675-0369 djleslie@folger.edu www.folger.edu From dcrb-l@lib.byu.edu Sat Jan 18 20:09:17 2003 From: dcrb-l@lib.byu.edu (Deborah J. Leslie) Date: Sat, 18 Jan 2003 15:09:17 -0500 Subject: [DCRB-L] WG3: Edition area Message-ID: <88539F4A9A5C3041B06A234AA2ABDB58C37182@portia.folger.edu> I am troubled by the instruction to transcribe, presumably in the 250, multiple edition statements. As Ann notes, the 250 is non-repeatable. Granted that there may be multiple edition statements in different sources, but what would be the drawback in transcribing the one from the chief source, and noting the others if they give additional or different information? Could you provide some examples, Manon, about the variety of edition statements that may appear in one work? And while I think about it, examples should probably be given in MARC21 format. We'll all need to work out a convention for omitting if necessary part of the tagging for a field. Perhaps something like: 260 <...> $b Published by John Grigg : $b J. Howe, stereotyper <...> Deborah J. Leslie Chair, RBMS Bibliographic Standards Committee Head of Cataloging Folger Shakespeare Library 201 East Capitol St., SE Washington, DC 20003 202.675-0369 djleslie@folger.edu www.folger.edu From dcrb-l@lib.byu.edu Sat Jan 18 20:16:37 2003 From: dcrb-l@lib.byu.edu (Deborah J. Leslie) Date: Sat, 18 Jan 2003 15:16:37 -0500 Subject: [DCRB-L] WG5: Problems draft Message-ID: <88539F4A9A5C3041B06A234AA2ABDB58CAF526@portia.folger.edu> Thanks very much, Dorothy. I am aware of most of the problems you mentioned. Would you be willing to go one step further, and make specific recommendations? Or at least provide specific examples to give us something concrete to work from. And better yet, both! Cheers, Deborah Deborah J. Leslie Chair, RBMS Bibliographic Standards Committee Head of Cataloging Folger Shakespeare Library 201 East Capitol St., SE Washington, DC 20003 202.675-0369 djleslie@folger.edu www.folger.edu -----Original Message----- From: Auyong, Dorothy [mailto:dauyong@huntington.org] Sent: Friday, January 17, 2003 6:30 PM To: 'dcrb-l@lib.byu.edu' Subject: RE: [DCRB-L] WG5: Problems draft Great job Deborah, And now having complimented you on your good work, may I respectfully make the following suggestions: 5B9 As an addendum, may we also consider cases in which engraved plates (frontispieces mostly, but sometimes distributed elsewhere in the publication) are clearly intended by the printer as part of the pagination sequence? A similar problem can arise when a non-letterpress leaf is clearly an integral part of a gathering. A printer may or may not choose to include this in the pagination. Do we deal with it as a "plate" (because its not letterpress) or not? The instructions on engraved title pages have already been noted as problematic. Also consider clarification of the definition of "double plate" (given in paragraph 1). From the current wording, it appears that a "double plate" must be folded and MOUNTED at the inner margin. If the same sheet were folded in the middle, but inserted at one of its outer edges, is it now defined as a "single" (albeit oversized) plate?? This is only a problem when they are unnumbered (as they frequently are). This situation is obviously binder- (and therefore copy-) specific. A problem can sometimes only be evident if you have the privilege (dubious) of having multiple copies. The difference in handling a double vs. a single plate can make one copy appear to be either imperfect or a variant. A uniformity of description is desirable to ensure proper identification. 5B11 Again need clarification of what is meant by "double leaf" (see argument re: mounting of "double plates") and also give guidelines for copy-specific cases. Yes, we have examples. In all of this, we're trying to account for the completeness and identification of the item. Current instructions regarding plates vs. letterpress often result in confusion between the signature and pagination statements, creating a bibliographic muddle. This, Martha will agree, is Not A Good Thing. My two cents contributed. (1 cent from Eileen) Which is more wages than I usually earn on a Friday afternoon. Dorothy Auyong Principal Rare Book Cataloger Henry E. Huntington Library dauyong@huntington.org From dcrb-l@lib.byu.edu Sat Jan 18 20:43:47 2003 From: dcrb-l@lib.byu.edu (Deborah J. Leslie) Date: Sat, 18 Jan 2003 15:43:47 -0500 Subject: [DCRB-L] WG3: Publication area Message-ID: <88539F4A9A5C3041B06A234AA2ABDB58C37183@portia.folger.edu> 4A3. Manon is quite right that we need better instructions for out-of-usual-order elements in this area. I am in favor of transposing as necessary here following the same rules for transposition in the title and statement of responsibility area, with the additional firm instruction to make a note on transposition. 4E. I have always been troubled by the departure from the transcription principle that this formulation of the 260$g requires. Let's fold this into consideration of multiple 260$b's or the use of 260$e$f for additional printer statements. Possibly the same principle guiding our decision for printers can be put to work for impression dates. p. 10: "In early printed books, each new printing usually corresponded to a new edition because it involved a different setting of type" is an overstatement. That might be said to be usually true for very early books, incunables & 16th books. But as time went on and type became relatively less expensive and printers were able to keep larger stocks, they could and did tie up and keep formes of hand-set type for additional impressions. Can you reword this so that the inaccuracy about HP books doesn't distract from the argument you are trying to make about printing from plates? p. 10 bottom. Any rewording should take into account that an impression date might appear on the t.p. Deborah J. Leslie Chair, RBMS Bibliographic Standards Committee Head of Cataloging Folger Shakespeare Library 201 East Capitol St., SE Washington, DC 20003 202.675-0369 djleslie@folger.edu www.folger.edu From dcrb-l@lib.byu.edu Sat Jan 18 21:40:03 2003 From: dcrb-l@lib.byu.edu (Richard Noble) Date: Sat, 18 Jan 2003 16:40:03 -0500 Subject: [DCRB-L] WG5: Problems draft In-Reply-To: <5DBD4E69A7C4D4118190001083FDD0AF043DDF76@archer.huntington .org> Message-ID: <4.2.0.58.20030118153148.009ed2e0@postoffice.brown.edu> This aspect of DCRB description has always been incoherent, though I doubt whether it will ever be possible to reconcile the essential difference between an "extent" statement (which boils down to "the book is about this big", unless of course its pagination is "various" or it's more than 1 v. or ... or ...) and a correct formal account of the structure of a book. It is a basic principle of analytical description that there is no such thing as a "non-letterpress leaf [that] is clearly an integral part of a gathering". Plates may indeed be necessary components, in definite positions, of ideal copy; but, irrespective of their contents, they are not integral with the letterpress, and ought not to be confounded with it either in the account of printed gatherings or in the account of the enumeration of the printed leaves/pages. That is, you cannot treat as printed pagination anything that lies outside the scope of the collation of the letterpress. The "disconnect" between extent and collation is plain in the inclusion, under DCRB, of engraved title pages in pagination. Granted, Bowers himself was inclined to accord special treatment to engraved titles, e.g. "[engr. ti.] + pi2 A-H4" or the like (it's not clear whether he recommended this or not, though he did take this approach in the Sandys bibliography that was his test run of the Principles). Lately, in working with pre-1801 dance books, I've seen many examples of gaps left in the pagination to be filled with correspondingly numbered plates (printed on one or both sides, or a mix--even varying in this respect from copy to copy). The only way to deal with such phenomena is something like the following (superscripts and italics not formatted for the sake of e-communication; thus "[8 unn.]" means the same as bracketed italic 8): 4to: a4(+-a1) A-G4 H2 chi 2 [$3(-a1,3, F2, G3, H2 signed; missigning F1 as E1]; 34 leaves, pp. [8 unn.] 1-26 31-38 41-46 87-106 [=60] [misprinting 104 as 92] + Plates, pp. 27-30 39-40 47-86 [=26] [4 unn.] Thus the printed leaf count is properly one half the pagination ([60] + [8] = 34 x 2), and the printer's strategy for enforcing the proper placement of 26 of the 30 pages of non-letterpress is quite clear. Treat this as 106 + 8 pages and you have an incoherent mess to describe, from the analytical point of view. Of course one can explain the situation in a 500 note: 300 [8], 106 p., [4] p. of plates : ill., music ... 500 Pages 27-30, 39-40, 47-86 consist of engraved music, printed on both sides of the leaf, in addition to the 4 unnumbered pages of engraved dance notation. But this will have to be reconciled with the signing statement, if it's given. Take your choice. (Then there's the challenge of recognizing integral engravings, more common than one might think in some locales--e.g. southern Germany, to judge from the numerous examples of integral frontispieces found among Rare Book School's books in sheets.) Really, the DCRB 300 field is an uncomfortable compromise between a thoroughly non-analytical and often consciously inexact "extent" statement and a proper account of the physical components of the book. That is why I have finally taken to providing full collational formulae with proper signing and pagination + plate statements in almost all cases. I check this stuff anyway, I have some idea how to analyze the thing, and I feel I ought to put it down in cold pixels, with the unwritten understanding that the information thus given trumps anything in the 300 field. At any rate, says this here Old Fussbudget, do try to be aware of (perhaps unavoidable) departures from real description in the rules--maybe even footnote them, for the sake of those who can perceive them as such and are grateful for the assurance that you know what you're doing in such cases. But remember that we should try to minimize the number of records in which a non-cataloguer may be owed an explanation of the way in which the rules have messed up the description. At 1/17/03 03:29 PM -0800, you wrote: >5B9 > >As an addendum, may we also consider cases in which engraved plates >(frontispieces mostly, but sometimes distributed elsewhere in the >publication) are clearly intended by the printer as part of the pagination >sequence? > >A similar problem can arise when a non-letterpress leaf is clearly an >integral part of a gathering. A printer may or may not choose to include >this in the pagination. Do we deal with it as a "plate" (because its not >letterpress) or not? The instructions on engraved title pages have already >been noted as problematic. RICHARD NOBLE : RARE BOOK CATALOGUER : JOHN HAY LIBRARY : BROWN UNIVERSITY PROVIDENCE, RI 02912 : 401-863-1187/FAX 863-2093 : RICHARD_NOBLE@BROWN.EDU From dcrb-l@lib.byu.edu Sun Jan 19 20:29:46 2003 From: dcrb-l@lib.byu.edu (Richard Noble) Date: Sun, 19 Jan 2003 15:29:46 -0500 Subject: [DCRB-L] WG3: Publication area In-Reply-To: <88539F4A9A5C3041B06A234AA2ABDB58C37183@portia.folger.edu> Message-ID: <4.2.0.58.20030119144643.009d4100@postoffice.brown.edu> The catalogue rules are no fit place to instruct cataloguers in the history of books and printing, but the caveat cited pretty much stands. Bowers made a great to-do about changed conditions in the C18, but this has to be taken with many grains of salt--he was embroiled in a most unbecoming contest with historical bibliographers in the Gaskell mode, especially in his attempts to discredit D.F. McKenzie's Cambridge University Press 1696-1712; many of his categorical statements in that debate have been in turn discredited by Peter Blayney. Indeed, some texts were kept standing, especially in the late 18th c., partly in order to roll out adequate supplies of a hot seller on a week-by-week basis, as in the case of some Burke pamphlets I've seen; and also in the case of perennials, e.g. Bibles. But with Burke we have a complication, in that the successive printings are designated as editions: are cataloguers to put their copies on a comparator? (Actually, I have a Lindstrand in my office, and I've used it, but still...). Anyway, standing type remains enough the exception in the hpp that the broad distinction between composite, temporary printing surfaces (type) and consolidated, permanent (though still very modifiable) ones (plates), can be adduced as the basis for varied approaches. As for the related matter of printers being treated at the same or a subordinate level to booksellers/publishers, the trade's own conventions may be our best guide. If printer and bookseller names occur as part of a single "imprint", treat them accordingly; if the printer statement is separate or clearly "less prominent" in books of the late C18 onwards, treat it accordingly. This why I'm greatly in favor of allowing subfields efg in DCRB, to be used ad lib. (and why these subfields ought to be made repeatable). Beware of locking any of this into chronological periods. At the point in the 1840s when a handpress London book is remarkable, some French and a good many German books printed on handmade laid paper using the hand press are still quite unremarkable. The nature of the object itself must be the basis for treatment. Remember too that it is not the edition but the issue that constitutes the basic cataloguing unit, just as in "real" bibliography: it all comes down to the concept of "ideal copy", the set of criteria by which one establishes that a certain body of copies in an edition constitute an issue, i.e. that no variation in observable states of those copies distinguishes any of them as belonging to another issue (the simplest case being one invariant printing that constitutes the only issue from that setting of type). The DCRM rules ought to support (as best they can in the context of catalogues that combine DCRM and non-DCRM records) the presentation of the evidence by which these relationships are determined. (Pages of further explication... I wish I had time to make sense, darn it.) At 1/18/03 03:43 PM -0500, you wrote: >p. 10: "In early printed books, each new printing usually corresponded to >a new edition because it involved a different setting of type" is an >overstatement. That might be said to be usually true for very early books, >incunables & 16th books. But as time went on and type became relatively >less expensive and printers were able to keep larger stocks, they could >and did tie up and keep formes of hand-set type for additional >impressions. Can you reword this so that the inaccuracy about HP books >doesn't distract from the argument you are trying to make about printing >from plates? RICHARD NOBLE : RARE BOOK CATALOGUER : JOHN HAY LIBRARY : BROWN UNIVERSITY PROVIDENCE, RI 02912 : 401-863-1187/FAX 863-2093 : RICHARD_NOBLE@BROWN.EDU From dcrb-l@lib.byu.edu Mon Jan 20 19:47:11 2003 From: dcrb-l@lib.byu.edu (Smith, Eileen) Date: Mon, 20 Jan 2003 11:47:11 -0800 Subject: [DCRB-L] WG5: Problems draft, possible additions Message-ID: <5DBD4E69A7C4D4118190001083FDD0AF03E559D8@archer.huntington.org> To the list of problems and lacunae, I would like to see added: 1. Under 7C9, instruction and example on what to do when the signature statement is based upon an incomplete copy. This can be an incomplete single volume, or the situation of having only 1 vol. of a multi-volume set. 2. Fragments - How to make it *immediately* clear in the record that the item is a fragment, instead of having to scroll down into the notes and/or onto the next screen. Breaking note order to put a 590 (local note) immediately after the 300 (physical description) is a less than completely satisfactory solution, especially when one has brief displays and/or long 245s. It may be stretching the definition a bit, but a GMD for "fragment" would be very useful, displaying the information directly after the title, as is the case with microforms. Also, how to we want to distinguish between 'incomplete' and 'fragment'? 3. Facsimiles - Again, how it make it readily apparent whether a record is for the original or a facsimile. The LCRI to AACR2 instructs us to describe the facsim. as if it were the original. Surely a GMD for facsimiles would be appropriate? AACR2 1.1C1 has a GMD for "art reproduction", as precedent. I realize that BSC doesn't have the authority to create GMDs, but 2-3 rank high on my list of "problems", having encountered user confusion relating to them. Eileen Eileen L. Smith Rare Book Catalog Librarian Huntington Library 1151 Oxford Road San Marino, CA 91108 esmith@huntington.org 626/405-2100 ext. 2380 From dcrb-l@lib.byu.edu Tue Jan 21 17:38:53 2003 From: dcrb-l@lib.byu.edu (Brian Hillyard) Date: Tue, 21 Jan 2003 17:38:53 +0000 Subject: [DCRB-L] WG5: Problems draft, possible additions References: <5DBD4E69A7C4D4118190001083FDD0AF03E559D8@archer.huntington.org> Message-ID: <3E2D85AD.34F67736@nls.uk> Could I enquire further about these "fragments"? Would these be instances of fragments of a book of which other copies exist or fragments of an unidentified work/unidentified edition of an identified work? And to what extent is this a cataloguing problem as opposed to an OPAC display problem? I don't think I have a clear view of the problem. Brian -- Dr Brian Hillyard Head of Rare Books National Library of Scotland EDINBURGH EH1 1EW e-mail: b.hillyard@nls.uk Fax: 0131 466 2807 *** Tel: 0131 226 4531 Library website: http://www.nls.uk "Smith, Eileen" wrote: > > To the list of problems and lacunae, I would like to see added: > > 1. Under 7C9, instruction and example on what to do when the signature > statement is based upon an incomplete copy. This can be an incomplete single > volume, or the situation of having only 1 vol. of a multi-volume set. > > 2. Fragments - How to make it *immediately* clear in the record that the > item is a fragment, instead of having to scroll down into the notes and/or > onto the next screen. Breaking note order to put a 590 (local note) > immediately after the 300 (physical description) is a less than completely > satisfactory solution, especially when one has brief displays and/or long > 245s. It may be stretching the definition a bit, but a GMD for "fragment" > would be very useful, displaying the information directly after the title, > as is the case with microforms. Also, how to we want to distinguish between > 'incomplete' and 'fragment'? > > 3. Facsimiles - Again, how it make it readily apparent whether a record is > for the original or a facsimile. The LCRI to AACR2 instructs us to describe > the facsim. as if it were the original. Surely a GMD for facsimiles would be > appropriate? AACR2 1.1C1 has a GMD for "art reproduction", as precedent. > > I realize that BSC doesn't have the authority to create GMDs, but 2-3 rank > high on my list of "problems", having encountered user confusion relating to > them. > > Eileen > > Eileen L. Smith > Rare Book Catalog Librarian > Huntington Library > 1151 Oxford Road > San Marino, CA 91108 > esmith@huntington.org > 626/405-2100 ext. 2380 -- Dr Brian Hillyard Head of Rare Books National Library of Scotland EDINBURGH EH1 1EW e-mail: b.hillyard@nls.uk Fax: 0131 466 2807 *** Tel: 0131 226 4531 Library website: http://www.nls.uk From dcrb-l@lib.byu.edu Wed Jan 22 17:38:33 2003 From: dcrb-l@lib.byu.edu (Deborah J. Leslie) Date: Wed, 22 Jan 2003 12:38:33 -0500 Subject: [DCRB-L] WG6: Editions draft Message-ID: <88539F4A9A5C3041B06A234AA2ABDB58013F2B36@portia.folger.edu> Herewith a link to the preliminary document by John Attig for Working Group 6: Editions, issues, and states, or, When to create a new record. The link is to its original MSWord format, as well as the text without formatting appended here. http://www.folger.edu/bsc/dcrb/wg6.doc Editions, Issues, and States, or, When to Create a New Record For discussion in preparation for the Descriptive Cataloging of Rare Materials Conference to be held March 10-13, 2003 at Yale University PRELIMINARY DRAFT January 21, 2003 - John Attig DCRM Working Group 6: Editions, Issues, and States, or, When to Create a New Record Many conditions influence this decision, both at the local and the utility level, which make it particularly thorny. This group will explore the feasibility of writing an equivalent to LCRI 1.0. In doing so, it will consider traditional bibliographical conditions of early printed books in context of the IFLA Functional Requirement for Bibliographic Records, in particular, in the definitions of work, expression, manifestation, and item. In addition, it may craft guidelines and considerations for individual agencies on choosing what level of cataloging is appropriate for different kinds of materials. In this preliminary draft, I would like to briefly outline the following: 1. The state of the Anglo-American Cataloguing Rules with regard to (a) the concepts and terminology introduced in Functional Requirements for Bibliographic Records, and (b) the question of when to make a new record. 2. Some of the issues that make these questions particularly interesting for catalogers of rare materials. 3. A proposed distinction between a default guideline for when to make a new record and a set of principles for diverging from that default. 4. A further distinction between decisions to be made when creating records for a local catalog and decisions to be followed when entering a new record into a shared-cataloging, master-record union database. This last discussion will revisit the perennial question of how a system for sharing bibliographic information about rare materials should be structured. I'm going to spend most of my effort in this preliminary draft on the first point. Because of my intensive involvement in the rule revision process, I feel that my major contribution to this discussion may lie in describing the dynamic state of discussions in the AACR revision process. These include initiatives being undertaken by ALA's Committee on Cataloging: Description and Access (CC:DA, for short) and by the Joint Steering Committee for Revision of AACR (JSC). AACR2 and FRBR: Conceptual and Pragmatic Issues The Joint Steering Committee has been working to introduce FRBR concepts into AACR2. The first step has been to introduce the terms "expression" and "manifestation" in appropriate rules, and to restrict the use of the term "item" to its FRBR meaning as a synonym for "copy." The term "work" is already present in AACR2 and is almost always used in its FRBR meaning. One of the major conflicts between AACR2 and FRBR lies in the concept of "edition," which is a very important one in both the ISBD structure, in the AACR2 rules, and in the conventions of publication and research which these standards support. "Edition" simply does not fit easily into the FRBR schema of work à expression à manifestation à item. In FRBR terms, "edition" is an ambiguous concept: in most cases, an edition is a distinct expression of a work - but only if there is a change in the form of expression or in the intellectual or artistic content. An unaltered reprint may be a distinct edition, and is definitely a distinct manifestation, but it is not a distinct expression. To the extent that the "edition" concept is entrenched in conventions of publication and research, it is the "edition statement" which must be acknowledged as a significant identifying feature, to be carefully recorded in bibliographic descriptions. It is possible, although somewhat difficult, to write rules of description in terms of "edition statements" and to ignore completely the underlying concept of "edition." The Anglo-American cataloging tradition tends to accept edition statements at face value: if an item calls itself an edition, we tend not to ask whether it exhibits all the criteria included in the definition of the term "edition" (of which more later); we transcribe the statement and thus treat the item as an edition. This works quite well (particularly if we ignore for the moment the use of the term "edition" in the names of several ISBD data elements). However, the concept of "edition" is absolutely central to our practices about matching cataloging copy and determining when to create a new record. Here the FRBR schema is no help whatsoever. First, the expression entity in FRBR is not useful, because it is by definition abstract; only when an expression of a work is embodied in a manifestation is there a concrete entity that can be described. An expression, to reduce the matter to absurd simplicity, may have a title, but it does not have a title page! The manifestation entity in FRBR is no more useful, because any difference in any attribute results in a distinct manifestation. Traditionally, we do not make separate bibliographic records for printings, and we often generalize minor differences in nonbook materials into a single record. The AACR2 definition of "edition" contains two components which - in the FRBR schema - are contradictory: an edition is defined in terms of its content ("embodying essentially the same content") and its issuance ("issued by the same entity"). Differences in content are different expressions, differences in issuance are different manifestations. It is the combination of these two factors that traditionally determine whether a new record will be created. The current text of AACR2 contains almost no guidance about when to make a new record - indeed, almost no recognition of the shared-cataloging environment in which we all work and which is perhaps the 20th-century's major contribution to the practice of cataloging. The absence of rules in AACR2 has been remedied by an LC rule interpretation which offers some very general guidance and (most influentially) by the "When to input a new record" section in OCLC's Bibliographic Formats and Standards (various eds.). OCLC's approach is both principled and pragmatic. It references the concept of "edition" as the basis for separate bibliographic records, but also contains a detailed list of data elements which may differ "significantly" and therefore merit a new record. When CC:DA appointed a Task Force to draft an appendix on when to create a new record for possible inclusion in AACR2, this OCLC approach was highly influential. The draft appendix contained short "Basic Guidelines" and an extensive listing of differences and changes which were considered "major" and therefore required a new record. These specific guidelines broke down in several ways. First, it was noted that the guidelines had to deal with two distinct situations: differences between manifestations of a finite resource and changes within a continuing resource. In addition, the rules had to cover single-part monographs, multipart items, integrating resources, and serials. The result was a very complex set of specific guidelines. Ultimately, the Joint Steering Committee decided not to include the appendix in AACR, although they plan to include the "Basic Guidelines" in the General Introduction. They encouraged ALA to publish the guidelines as a stand-alone publication, and the Task Force has just produced the draft of such a publication, appropriately entitled Differences Between, Changes Within: Guidelines on When to Create a New Record, available on the Web at http://www.ala.org/alcts/organization/ccs/ccda/tf-appx9.pdf. For your consideration, here are the "Basic Guidelines": Consider differences between manifestations or change(s) within a manifestation in terms of the content, the description, and other aspects of the manifestation (e.g., language, potential access points) in making a decision whether a difference or change is MAJOR or MINOR. 1. Differences between the content of two or more manifestations or changes to the content of an existing manifestation require a re-evaluation of all areas of the description for the manifestation(s). 2. Not all differences or changes are of equal importance. To determine whether a new record is necessary for some differences or changes, a cataloger needs to look at all aspects of the manifestation and consider them in conjunction with the specific guidelines for the type of manifestation. a. A MAJOR difference between manifestations or a MAJOR change to an existing manifestation in any area of the description takes precedence over any MINOR difference(s) or change(s) in other area(s), and therefore requires a new record. b. A MINOR change, if considered important, may require adjustments to the existing bibliographic record and additional access point(s). Adjustments for MINOR changes, depending on the type of issuance, may take the form of adding or changing notes in the record, or of modifying elements in the body of the description. See the rules in the appropriate AACR2 chapter for guidance on how to record changes within the record. See AACR2 chapter 21 for rules on access points. 3. Decisions regarding the choice of main entry are made on the basis of AACR2 chapter 21 and, if applied by a cataloging agency, AACR2 chapter 25. Since the main entry for a manifestation may or may not be reflected in its description, a cataloger should consider any differences between the main entry in the record and that on the manifestation separately from differences in the elements of the description. 4. In comparing an item to an existing record, a cataloger must try to ascertain that the comparison is based on the same issue/part/iteration and the same prescribed source as was used in constructing the existing record. 5. Any variations between printings or production runs that represent production errors will be considered minor, and will not result in creation of a new record, with the possible exception of rare book cataloging. With regard to principle, the message here is that separate bibliographic records are made for distinct manifestations - but only if they contain major differences or changes. With regard to pragmatics, the decision-making process eventually abandons the conceptual schemas and examines the individual data elements which comprise the record, seeking to identify those where differences or changes are sufficiently significant - sufficiently indicative of the underlying facts of content and issuance that make up the concept of "edition" - to warrant a separate bibliographic record in our catalogs, particularly in our shared-cataloging databases. This is the current state-of-the-art with regard to AACR2 and FRBR and with regard to the question of when to create a new record. These developments in general cataloging will need to be applied - with appropriate differences - to the cataloging of rare materials. Application to Rare Materials I'm not going to dwell at length about what makes rare materials different, and why they require special treatment. We can all brainstorm our own lists. In general, rare materials are rare and are valuable research materials because of their differences, even the unique features of individual copies. At the same time, catalogers of rare materials work in the same shared-cataloging environment as catalogers of other materials, and they desire to obtain the same benefits from the systems which support both shared cataloging and (even more important, perhaps) sharing of bibliographic information on a global scale. Therefore, standards and guidelines are important in cataloging rare materials - although they need to be unusually flexible in order to deal with the special characteristics of rare materials and their use. Before moving on the some suggestions about how such standards and guidelines might be developed, I'd like to make a few points about what makes rare materials different. We know more about them than about other materials. We examine them more carefully, looking for significant features. We describe them in more detail. Collectively, we study them and compare them; bibliographic and textual scholars, curators, and collectors have accumulated a significant body of information about many of rare materials in our collections. And as catalogers, we try to be aware of all that information when describing our own rare items. We compare our copies with descriptions of other copies, we take account of the bibliographic scholarship and confirm its application to our copies (is that leaf a cancellans in our copy too? does our copy also have a particular catch-word on a particular page?). Beyond that, we seek out and record the unique features of our rare items: binding, bookplates and other provenance evidence, manuscript annotations. We do this because we understand that users of our collections may find these different or unique features of great significance. We therefore want to share this information as widely as possible through the bibliographic records we create. There are various ways in which this can be done, as will be discussed at the end of this document, but the need to share a great deal of very detailed information is the basis for our decision-making process in deciding when to create a new record and what to include in that record. Recommendation #1: Default Guidelines and Principles for Varying from the Default It is impossible to agree upon a simple criterion that will be universally accepted by all catalogers of rare materials and applicable in every situation. There are simply too many factors which are relevant to particular institutions and their collections, not to mention the specific features of individual titles and copies, that must be taken into account in deciding whether to create a new record in a given situation. Therefore, I propose that Descriptive Cataloging of Rare Materials should contain a set of default guidelines, to be applied whenever there are no mitigating factors, and a set of principles for varying from the default based on the existence of mitigating factors. Default guidelines. As a starting point, I suggest that the ongoing work being done by CC:DA be examined to determine whether these guidelines, developed for general cataloging, can be applied to rare materials. If for no other reason, consistency of treatment across all materials seems like a worthy goal. Upon examination, this might turn out to be inadequate for rare materials, even as a default. If so, I suggest that archival practices - particularly those developed for original graphic materials and for archival moving-image materials - be examined for relevant criteria and descriptive techniques. Principles for varying from the default. I'm not sure what such a set of principles would look like, but I hinted in the previous section at some of the factors that seem relevant to me: ü Context: Are there other copies of the same edition [I'm going to assume, for the purposes of this discussion, that the concept of "edition" is a significant feature of the default guidelines; this may not be true, but some sort of shorthand is needed to keep the discussion simple] in the collection that are not identical copies? Are the differences such as would be identifiable from a standard description? Are the differences or unique features significant either to the local institution or more broadly? ü Research potential: Is the material likely to be used by researchers at a level of detail in which the differences or unique features may be significant? ü State of scholarship: Have differences within the edition been identified by scholars? Is there a standard bibliography that separately lists impressions, issues or states within the edition? Can the item in hand be matched to a description in such a bibliography? There are many additional factors that could be listed and formulated into a set of principles for making separate records, even if not mandated by the default guidelines. This section will need to be significantly expanded, and I suggest this as an important topic for the Working Group. Recommendation #2: Local Practice vs. Shared Records Catalogers should probably feel greater freedom in creating separate records within their own local catalogs than in contributing such records to shared-cataloging, master-record databases. The use of the expression "shared-cataloging, master-record databases" is important, and I want to avoid using the term "utility." Of the two main utilities, OCLC is a shared-cataloging, master-record database; RLIN is not. Records in RLIN are essentially local records, and only the clustering makes them exemplars of any larger construct. It is only in a master-record system where it becomes fairly important to have some consist guidelines on when to create a new record. In a case in which there are two issues of an edition (to take a simple case), it seems unfortunate if one institution describes, and other institutions indicate their holdings of, the edition as a whole, while other institutions describe or indicate their holdings of the separate issues. It then becomes difficult to determine what institutions hold what items. If this is already the case, that is unfortunate, but reducing the confusion would seem to be a worthy goal. This argument - at least in the case of a general shared-cataloging database like OCLC, i.e., one not limited to rare materials - would reinforce the tentative suggestion made above that the default guideline should be the same as that applied by general catalogers. If nothing else, this is a result of the impossibility of determining what is and is not rare. So perhaps the developing guidelines for when to make a new record should be applied to rare materials within a shared-cataloging, master-record database. This same argument would also argue against varying from the default in such a database. It is not clear that this is the best practice. As indicated above, catalogers of rare materials record a wealth of information about the materials they describe, and they do this in order to share that information with other catalogers and with potential users of the materials, in the hopes that scholarship will be advanced by sharing such information. Records contributed to shared databases are one of the most significant ways in which information is shared, and it would be unfortunate to limit the depth of information included. However, shared databases are only one of the ways in which bibliographic information is shared. The nature of a global information structure for communicating information about rare materials is something the Bibliographic Standards Committee discusses frequently. We have developed the MARC formats to allow us to record additional types of information, particularly information unique to individual institutions or individual items. The formats at the moment contain two sets of features that might be used for this purpose: the institutional/copy identifier ($5) in the bibliographic description itself, and the MARC holdings format. Use of the first technique has been of limited use because of our heavy reliance on a master-record database which does not support much in the way of institution-specific data. Use of the second has been little exploited because of the limited implementation of MARC holdings in shared databases, particularly the failure to maintain and provide access to holdings records across institutions. OCLC is undertaking a major redesign, and there are indications that MARC holdings will play a significant role in the new design, aiming at a virtual catalog of each member institution within the shared catalog. If this goal is realized, then our task may be in providing guidelines on what level of granularity to describe in the bibliographic record (perhaps edition as a default) and what to describe in holdings records. There is another technical development that offers an alternative model for constructing a virtual universal catalog. Within the past ten years, most of our institutions have exposed our local catalogs to the Internet. If we share our local catalogs with the world, then it becomes less critical to share all of the details in shared databases. Perhaps it is sufficient to inform potential users that a title is available at a particular institution; a check of that institution's catalog with provide all of the information about any differences or unique features of the local copy or copies. It is not yet clear which of these models (and there may be more) offer the best prospects for meeting our needs. However, the discussion is relevant to the question of when to make separate records in what catalogs, and I would suggest that we think about these larger issues of bibliographic communication. Conclusion Tentatively, I would suggest that the best solution to the problem of when to create separate bibliographic records should involve: ü Relying on individual catalogers to use their best judgment and their knowledge of their collections and their craft to describe their rare materials at whatever level of detail they deem appropriate. They should make informed judgments about the alternative use of separate bibliographic records and of holdings records to record information about differences and unique features. They should make sure that these records are shared in some appropriate manner with the world. ü Contributing to shared databases records that are based on the highest level of consistency possible without concealing vital information. We should make our best effort to come up with guidelines that can be applied as broadly and consistently as possible, while also making sure that the most detailed information we have created is made available to potential researchers in a clear and convenient manner. But the devil is in the details, and there are a lot of details that still need to be filled in. I welcome continued discussion of the issues raised in this paper. ___________________________ Deborah J. Leslie, M.A., M.L.S. Head of Cataloging Folger Shakespeare Library 201 East Capitol St., S.E. Washington, D.C. 20003 202.675-0369 (p) 202.675-0328 (f) djleslie@folger.edu www.folger.edu From dcrb-l@lib.byu.edu Wed Jan 22 20:22:28 2003 From: dcrb-l@lib.byu.edu (Robert Maxwell) Date: Wed, 22 Jan 2003 13:22:28 -0700 Subject: [DCRB-L] Moderating the list Message-ID: This is a multi-part message in MIME format. ------_=_NextPart_001_01C2C253.FBB6B55E Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable As I think list members know, in order to intercept spam and virus infected messages (some of which had come through to the list), I have been, for two or three months, moderating the list message by message. This may change (it slows things down and certainly isn't much fun) but for the moment that's the way the list is set up. All this is to say (while I'm thinking about it) that while I'm away at ALA from next Friday to the following Tuesday, I may or may not be able to send messages through. So please be patient. (But go ahead and send messages--they'll be there waiting for me when I get back.) =20 Thanks! =20 Bob =20 Robert L. Maxwell Special Collections and Ancient Languages Catalog Librarian Genre/Form Authorities Librarian 6728 Harold B. Lee Library Brigham Young University Provo, UT 84602 (801)422-5568=20 =20 ------_=_NextPart_001_01C2C253.FBB6B55E Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable Message
As I = think list=20 members know, in order to intercept spam and virus infected messages = (some of=20 which had come through to the list), I have been, for two or three = months,=20 moderating the list message by message. This may change (it slows things = down=20 and certainly isn't much fun) but for the moment that's the way the list = is set=20 up. All this is to say (while I'm thinking about it) that while I'm away = at ALA=20 from next Friday to the following Tuesday, I may or may not be able to = send=20 messages through. So please be patient. (But go ahead and send = messages--they'll=20 be there waiting for me when I get back.)
 
Thanks!
 
Bob
 

Robert L. Maxwell
Special Collections and Ancient = Languages=20 Catalog Librarian
Genre/Form Authorities Librarian
6728 Harold B. = Lee=20 Library
Brigham Young University
Provo, UT 84602
(801)422-5568=20

 
------_=_NextPart_001_01C2C253.FBB6B55E-- From dcrb-l@lib.byu.edu Thu Jan 23 17:10:22 2003 From: dcrb-l@lib.byu.edu (Deborah J. Leslie) Date: Thu, 23 Jan 2003 12:10:22 -0500 Subject: [DCRB-L] WG3: Physical description area Message-ID: <88539F4A9A5C3041B06A234AA2ABDB58013F2B46@portia.folger.edu> This is a multi-part message in MIME format. ------_=_NextPart_001_01C2C302.50877144 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable 5B5. With the advent of publishers' bindings, can we assume that most = commercial advertisements were in fact issued with the book? I'm afraid = I don't see the value of these rules. I also want to consider = eliminating the instruction to include mention of advertisements in the = statement of extent, something I hadn't thought of before I looked at = these gymnastics to get catalogers not to do something.=20 5B9. The statement of extent provides a count for every leaf in the book = excluding those added in the binding. You can't leave off counting them = in the extent just because you can't figure out whether they're plates = or not. You have to choose. Therefore, you might give a default (e.g., = if impossible to determine the nature of a book's illustrations, count = them as pages or leaves of plates if unnumbered, or as pages or leaves = of text if included in the pagination). 5C3. I find this section problematic. What is the difference between a = chromolithograph and a colored lithograph? There is no such thing as a = "col. wood engraving", because it could only be printed in one color, = and any hand-coloring is considered copy-specific. I also would try to = discourage catalogers from counting and listing the various types of = illustration techniques in the 300. If it's that important, it can be = elaborated in a note. Otherwise, the statement should be something like = $b ill. (steel engravings, lithographs) It was also the case that many HP books with hand-colored ills. were = issued that way by the publisher, so the principle should hold = regardless of whether we're talking about HP or MP books. I've never = heard anyone explain it, but I assume that hand-coloring is always = considered copy-specific because it is not printed in any way. I'd love = to hear from anyone with more knowledge on this matter. Deborah J. Leslie Chair, RBMS Bibliographic Standards Committee Head of Cataloging Folger Shakespeare Library 201 East Capitol St., SE Washington, DC 20003 202.675-0369 djleslie@folger.edu www.folger.edu ------_=_NextPart_001_01C2C302.50877144 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable WG3: Physical description area

5B5. With the advent of publishers' bindings, = can we assume that most commercial advertisements were in fact issued = with the book? I'm afraid I don't see the value of these rules. I also = want to consider eliminating the instruction to include mention of = advertisements in the statement of extent, something I hadn't thought of = before I looked at these gymnastics to get catalogers not to do = something.

5B9. The statement of extent provides a count = for every leaf in the book excluding those added in the binding. You = can't leave off counting them in the extent just because you can't = figure out whether they're plates or not. You have to choose. Therefore, = you might give a default (e.g., if impossible to determine the nature of = a book's illustrations,  count them as pages or leaves of plates if = unnumbered, or as pages or leaves of text if included in the = pagination).

5C3. I find this section problematic. What is = the difference between a chromolithograph and a colored lithograph? = There is no such thing as a "col. wood engraving", because it = could only be printed in one color, and any hand-coloring is considered = copy-specific. I also would try to discourage catalogers from counting = and listing the various types of illustration techniques in the 300. If = it's that important, it can be elaborated in a note. Otherwise, the = statement should be something like $b ill. (steel engravings, = lithographs)

It was also the case that many HP books with = hand-colored ills. were issued that way by the publisher, so the = principle should hold regardless of whether we're talking about HP or MP = books. I've never heard anyone explain it, but I assume that = hand-coloring is always considered copy-specific because it is not = printed in any way. I'd love to hear from anyone with more knowledge on = this matter.

Deborah J. Leslie
Chair, RBMS Bibliographic Standards = Committee
Head of Cataloging
Folger Shakespeare Library
201 East Capitol St., SE
Washington, DC 20003
202.675-0369
djleslie@folger.edu
www.folger.edu

------_=_NextPart_001_01C2C302.50877144-- From dcrb-l@lib.byu.edu Thu Jan 23 21:45:20 2003 From: dcrb-l@lib.byu.edu (Deborah J. Leslie) Date: Thu, 23 Jan 2003 16:45:20 -0500 Subject: [DCRB-L] DCRM Conference Information Sheet Message-ID: <88539F4A9A5C3041B06A234AA2ABDB58013F2B5A@portia.folger.edu> This is a multi-part message in MIME format. ------_=_NextPart_001_01C2C328.B9C5DAC2 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Dear Colleagues, I hope this gets to any of you before departing for Philadelphia. I have = been encouraged to prepare an information sheet for the DCRM Conference = that is being organized by the Bibliographic Standards Committee, since = many people have questions about it. It is attached here.=20 ___________________________ Deborah J. Leslie, M.A., M.L.S.=20 Head of Cataloging Folger Shakespeare Library 201 East Capitol St., S.E. 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AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAEgACAP///////////////wAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAABqAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA//// ////////////AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAD///////////////8AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAABAP7/AwoAAP////8GCQIAAAAAAMAAAAAAAABGGAAAAE1pY3Jvc29mdCBX b3JkIERvY3VtZW50AAoAAABNU1dvcmREb2MAEAAAAFdvcmQuRG9jdW1lbnQuOAD0ObJxAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAP7/AAAECgIAAAAAAAAAAAAAAAAAAAAAAAIAAAAC 1c3VnC4bEJOXCAArLPmuRAAAAAXVzdWcLhsQk5cIACss+a5UAQAAEAEAAAwAAAABAAAAaAAAAA8A AABwAAAABQAAAJQAAAAGAAAAnAAAABEAAACkAAAAFwAAAKwAAAALAAAAtAAAABAAAAC8AAAAEwAA AMQAAAAWAAAAzAAAAA0AAADUAAAADAAAAPAAAAACAAAA5AQAAB4AAAAbAAAARm9sZ2VyIFNoYWtl c3BlYXJlIExpYnJhcnkASgMAAAA5AAAAAwAAABAAAAADAAAAkR8AAAMAAAB7EAoACwAAAAAAAAAL AAAAAAAAAAsAAAAAAAAACwAAAAAAAAAeEAAAAQAAABAAAAAyMCBKYW51YXJ5IDIwMDMADBAAAAIA AAAeAAAABgAAAFRpdGxlAAMAAAABAAAAAAC0AQAABwAAAAAAAABAAAAAAQAAAPQAAAAAAACA/AAA AAIAAAAEAQAAAwAAAA== ------_=_NextPart_001_01C2C328.B9C5DAC2-- From dcrb-l@lib.byu.edu Tue Jan 28 15:56:43 2003 From: dcrb-l@lib.byu.edu (Richard Noble) Date: Tue, 28 Jan 2003 10:56:43 -0500 Subject: [DCRB-L] WG3: Physical description area In-Reply-To: <88539F4A9A5C3041B06A234AA2ABDB58013F2B46@portia.folger.edu > Message-ID: <5.1.0.14.2.20030128093121.00a41380@postoffice.brown.edu> At 1/23/03 12:10 PM, Deborah Leslie wrote: >5B5. With the advent of publishers' bindings, can we assume that most >commercial advertisements were in fact issued with the book? I'm afraid I >don't see the value of these rules. I also want to consider eliminating >the instruction to include mention of advertisements in the statement of >extent, something I hadn't thought of before I looked at these gymnastics >to get catalogers not to do something. The question is at what point the advertisement became part of the book in hand. Integral advertisement leaves--those included in a text gathering, and perhaps by extension any subsequent leaves that are inseparable in contents with such integral leaves (I don't recall having run across this situation, actually)--differ from non-integral leaves as to ideal copy status. C19 books were frequently warehoused unbound/uncased, to be done up in small lots as needed, and very frequently advertisements would be added from a stock of current versions supplied to the binder by the publisher, to be added as the publisher's various warehoused books were bound. Thus copies of a single printing may contain a variety of appended, non-integral adverts, often dated (though it's quite possible to have leftover out of date adverts find their way into a book in a binding lot later than one with later adverts). One notes these, since they may serve as evidence pertaining to the sales history of the book, if nothing else; but they most often distinguish binding states only, and should not trigger the creation of separate records based on variant 300-field data. In my own practice I note non-integral advertisements in a local note, and usually add a general note (sometimes institution rather than copy specific, with $5) concerning the various binding states evidenced by the copy or copies in hand, and if relevant of other copies known and reliably described. (Aside: We really ought to differentiate copy-specific features [hand bindings, inscriptions, defects, etc.] from features that distinguish groups of copies [variant publisher bindings, inserted advertisements, etc.]). Though I've mainly alluded to C19 books, one also finds (much less often) non-integral advertisements in hand press books. The matter is complicated by the fact that such leaves (as well as integral advert leaves) may well be removed by a binder whose customer doesn't like them (and who himself wants the waste paper)--i.e. adverts are iffy in the hand press period, though in perishingly few cases are we talking about copy-specific features: most often it's a matter of binding states, occasionally one of issue-variants. In any case, integral advertisements MUST be treated as ideal-copy features. What's required of catalogers is the ability to distinguish integral from non-integral advertisements (or anything else for that matter--e.g. errata leaves, binder's leaves, etc.), in both HP and MP books, in order to avoid the creation of ghost issues. This requires analysis of physical evidence beyond any manipulation of numberings that can be profiled in the rules. >5B9. The statement of extent provides a count for every leaf in the book >excluding those added in the binding. You can't leave off counting them in >the extent just because you can't figure out whether they're plates or >not. You have to choose. Therefore, you might give a default (e.g., if >impossible to determine the nature of a book's illustrations, count them >as pages or leaves of plates if unnumbered, or as pages or leaves of text >if included in the pagination). Again, this depends upon the ability to analyze the book properly, but the default is reasonable enough. (And I do count e.g. non-integral unnumbered leaves [NOT pages] of letterpress-printed illustrations, usually wood engravings, as plates, even though I would not do so in bibliographical practice. I've made my peace with some of the sloppiness of AACR2 that migrates into DCRB.) The cataloger ought, however, to provide the information necessary to understand any features obscured by the distribution of data in the 300 field, as well as the cataloger's own uncertainties. >5C3. I find this section problematic. What is the difference between a >chromolithograph and a colored lithograph? There is no such thing as a >"col. wood engraving", because it could only be printed in one color, and >any hand-coloring is considered copy-specific. I also would try to >discourage catalogers from counting and listing the various types of >illustration techniques in the 300. If it's that important, it can be >elaborated in a note. Otherwise, the statement should be something like $b >ill. (steel engravings, lithographs) As to chromolithographs, color lithographs, and colored lithographs: The first two are distinguished by tradition, chromos being popular, color lithos artistic, though technically speaking chromos are simply color lithographs by another, somewhat disparaging name. These are the result of printing with multiple stones (or zincs), one for each of the colors that are superimposed to create the overall coloring. Colored lithographs are monochrome prints that have been hand colored. There are also tinted lithographs, essentially monochrome with additional printed color (itself either lithographic or relief), often to give sky and ground color. There are indeed color wood engravings, also called chromoxylographs, which again involve superimposed color by way of multiple (relief in this case) printing surfaces. This was a much-used process in the 1870s and 1880s. For all of these processes see Bamber Gascoigne, How to Identify Prints, the reference text by which all the Rare Book School illustration examples are classified. >It was also the case that many HP books with hand-colored ills. were >issued that way by the publisher, so the principle should hold regardless >of whether we're talking about HP or MP books. I've never heard anyone >explain it, but I assume that hand-coloring is always considered >copy-specific because it is not printed in any way. I'd love to hear from >anyone with more knowledge on this matter. Hand coloring is not always copy-specific. As Deborah indicates, many books, generally from the later C18 on, and especially in the C19 before the advent of more efficient color printing techniques, were sold colored, advertised as such, and sometimes issued both ways--"penny plain, tuppenny coloured", so to speak. The existence of two states in a single issue (though it could be argued that these constitute separate issues) is an obvious nuisance when it intrudes itself into the difficult one record/two record decision, but the facts of publication/issue should not be misrepresented by a blanket treatment of all hand coloring as copy specific. Whatever goes into the 300 field, notes on any such coloring, even conjectural ones, ought to be tagged as general. RICHARD NOBLE : RARE BOOKS CATALOGER : JOHN HAY LIBRARY : BROWN UNIVERSITY PROVIDENCE, RI 02912 : 401-863-1187/FAX 863-2093 : RICHARD_NOBLE@BROWN.EDU From dcrb-l@lib.byu.edu Thu Jan 30 04:10:48 2003 From: dcrb-l@lib.byu.edu (Richard Noble) Date: Wed, 29 Jan 2003 23:10:48 -0500 Subject: [DCRB-L] DCRM(B) series area In-Reply-To: Message-ID: <4.2.0.58.20030129214439.009f1b90@postoffice.brown.edu> A personal inquiry from Jerry Wager, and Jane Gillis's posting to autocat, prompt the following: I overheard much of the conversation about 12.1 and mandated quasi-accuracy (i.e. silent correction) in transcription into the 440 field. This is pretty nearly ("pretty nerdy" says wife Robyn looking over my shoulder) a hill to die on: exact transcription is the core (nay, minimum) activity of DCRB/DCRM(B). Unfortunately BDRB/DCRB had nothing to say about series, what with the exclusive emphasis on "early printed monographs". DCRB 6 simply refers the cataloguer to AACR2, a bit of a throwaway. I imagine we want to avoid an awkward (and intellectually indefensible) inconsistency in the treatment of this one portion of transcribed data. We have backing in ISBD(A), which, though it too refers the cataloguer to other rules--ISBD(S)--"for an understanding of the elements pertaining to the area", nevertheless prescribes transcription consistent with the rest of the record: "6.1.1 The title proper of the series or sub-series corresponds to the title proper in the bibliographic description of the series or sub-series when it is described as a serial according to the provisions of area 1 of ISBD(S). The provisions of area 1 in ISBD(A) are applied to the transcription of the data selected for the title proper of the series." That's pretty straightforward. It's hardly radical to suggest that in this, as in other respects, DCRM(B) ought at last to follow its precursors in attempting to conform as closely as possible to ISBD(A). The 490/8XX complex functions perfectly well for the purpose; indeed, it will often be necessary anyway, given the grievous complexity that obtained at the birth of the series (it's all very simple nowadays, of course). Post-script (what oft was thought, and here again's expressed): The assumption behind DCRB area 6 is a bit unfortunate. There was never any historically valid reason to limit the rules to the putative hand press period (a rather foggy notion), since scholarly/historical/artifactual treatment of all printed books depends on the same attention to the physical construction of the object, the genetics of its printed surfaces, and the bibliographical relationships that are ascertained from such evidence. At this point in the history of the printed codex, the distinction between hand-press and machine-press printing seems increasingly jejune--merely a way of avoiding the complexities introduced, gradually, by way of cloned and reusable printing surfaces, machine composition, publisher bindings and binding issues, etc. etc., which if anything require even greater attention to the details of subtler variation. One can be easily deceived by how much more closely, but deceptively, C19and C20 books may resemble each other. Of course, I'm preaching to the choir, since the BSC has made serious progress towards overcoming the false distinction, but also facing the peculiar problems involved in cataloging "later printed monographs". The series area is certainly a peculiar problem. RICHARD NOBLE : RARE BOOK CATALOGUER : JOHN HAY LIBRARY : BROWN UNIVERSITY PROVIDENCE, RI 02912 : 401-863-1187/FAX 863-2093 : RICHARD_NOBLE@BROWN.EDU